Secrecy came naturally to John le Carré, and there were some secrets that he fought fiercely to keep. Nowhere was this more so than in his private life. Apparently content in his marriage, the novelist conducted a string of love affairs over four decades. To keep these relationships secret, he made use of tradecraft that he had learned as a spy: code names and cover stories, cut outs, safe houses and dead letter boxes.

Such affairs introduced both jeopardy and excitement into what was otherwise a quiet, ordered life. Le Carré seemed to require the stimulus they provided in order to write, though this meant deceiving those closest to him. It is no coincidence that betrayal became a recurrent theme in his work.

Adam Sisman's definitive biography, published in 2015, revealed much about the elusive spy-turned-novelist; yet le Carré was adamant that some subjects should remain hidden, at least during his lifetime. The Secret Life of John le Carré is the story of what was left out, and offers reflections on the difficult relationship between biographer and subject. More than that, it adds a necessary coda to the life and work of this complex, driven, restless man.

The Secret Life of John le Carré reveals a hitherto-hidden perspective on the life and work of the spy-turned-author and a fascinating meditation on the complex relationship between biographer and subject. 'Now that he is dead,' Sisman writes, 'we can know him better.'

The extraordinary secret life of a great novelist, which his biographer could not publish while le Carré was alive. Secrecy came naturally to John le Carré, and there were some secrets that he fought fiercely to keep. Adam Sisman's definitive biography, published in 2015, provided a revealing portrait of this fascinating man; yet some aspects of his subject remained hidden. Nowhere was this more so than in his private life. Apparently content in his marriage, the novelist conducted a string of love affairs over five decades. To these relationships he brought much of the tradecraft that he had learned as a spy - cover stories, cut-outs and dead letter boxes. These clandestine operations brought an element of danger to his life, but they also meant deceiving those closest to him. Small wonder that betrayal became a running theme in his work. In trying to manage his biography, the novelist engaged in a succession of skirmishes with his biographer. While he could control what Sisman wrote about him in his lifetime, he accepted that the truth would eventually become known. Following his death in 2020, what had been withheld can now be revealed. The Secret Life of John le Carré reveals a hitherto-hidden perspective on the life and work of the spy-turned-author and a fascinating meditation on the complex relationship between biographer and subject. "Now that he is dead," Sisman writes, "we can know him better."

The definitive biography of the undisputed giant of English literature, a man whose own true history has long been hidden behind the fictional world of his books 'Compendious and compelling ... it is impossible to imagine this Life being bettered' WILLIAM BOYD, NEW STATESMAN 'Smiley himself could not have done a better job' SUNDAY TIMES Long after The Spy Who came in from the Cold made John le Carre a worldwide, bestselling sensation, David Cornwell, the man behind the pseudonym, remained an enigma. In this definitive biography, written with unprecedented access to the man himself, Adam Sisman offers an illuminating portrait of a fascinating and enigmatic writer. In Cornwell's lonely childhood, Adam Sisman uncovers the origins of the themes of love and abandonment which dominated le Carre's fiction: the departure of his mother when he was five, followed by 'sixteen hugless years' in the dubious care of his father, a man of energy and charm, a serial seducer and conman who hid the Bentleys in the trees when the bailiffs came calling - a 'totally incomprehensible father' who could 'put a hand on your shoulder and the other in your pocket, both gestures equally sincere'. And in Cornwell's adult life - from recruitment by both MI5 and MI6, through marriage and family life, to his emergence as the master of the spy novel - Sisman explores the idea of espionage and its significance in human terms; the extent to which betrayal is acceptable in exchange for love; and the endless need for forgiveness, especially from oneself. Written with exclusive access to David Cornwell, to his private archive and to the most important people in his life - family, friends, enemies, intelligence ex-colleagues and ex-lovers - and featuring a wealth of previously unseen photographic material, Adam Sisman's extraordinarily insightful and constantly revealing biography brings in from the cold a man whose own life was as complex and confounding and filled with treachery as any of his novels. 'I'm a liar,' Cornwell once wrote. 'Born to lying, bred to it, trained to it by an industry that lies for a living, practised in it as a novelist.' This is the definitive biography of a major writer, described by Richard Osman as 'just the finest, wisest storyteller we had.'

The second volume of exuberant, lively letters from legendary travel writer Patrick Leigh Fermor

The first collection of letters from Patrick Leigh Fermor, Dashing for the Post, delighted critics and public alike. This second volume, More Dashing, presents a further selection of letters that exude a zest for life and adventure characteristic of the man known to all as 'Paddy'.

Paddy's exuberant letters contain glimpses of the great and the good: a chance conversation with the Foreign Secretary, Anthony Eden, when Paddy opens the wrong door, or a glass of ouzo under the pine trees with Harold Macmillan. They describe encounters with such varied figures as Jackie Onassis, Camilla Parker-Bowles, Oswald Mosley and Peter Mandelson, while also relating adventures with the humble: a 'pick-nick' with the stonemasons at Kardamyli, or a drunken celebration in the Cretan mountains with his old comrades from the Resistance, most of them simple shepherds and goatherds. Paddy was at ease in any company - unfailingly charming, boyish, gentle and fun.

Patrick Leigh Fermor has long been recognised as one of the greatest travel writers of his time. Nowhere is his restless curiosity and delight in language more dazzlingly displayed than in his letters, skilfully edited in this collection by Adam Sisman.

The first book to explore the extraordinary story of the legendary friendship - and quarrel - between Wordsworth and Coleridge, two giants of English Romanticism. Wordsworth and Coleridge's passionate intimacy, shared ambition and subsequent estrangement contribute to a tragic tale. But Sisman's biography of this most remarkable friendship - the first to devote itself wholly to exploring the impact of their relationship on each other - seeks to re-examine the orthodox assumption that these two poets flourished as a result of it. Instead, Sisman argues that it was a meeting that may well have been disastrous for both: for it was Wordsworth's rejection of Coleridge, and not primarily his opium addiction, that destroyed the latter as a poet, and that Coleridge's impossible ambitions for Wordsworth pushed the latter towards failure and disappointment. Underlying the poignancy of the tale is the intriguing subject of the influence one writer can have on another. Sisman seeks to answer fundamental questions about this relationship: why was Wordsworth so reliant on Coleridge, and why was he so easily swayed in the most critical decision of his career? Was it in Coleridge's nature to play second fiddle? Would it, in fact, have been better for both men if they had never met?

One day in November 1958, the celebrated historian Hugh Trevor-Roper received a curious letter. It was an appeal for help, written on behalf of a student at Magdalen College, with the unlikely claim that he was being persecuted by the Bishop of Oxford. Curiosity piqued, Trevor-Roper agreed to a meeting. It was to be his first encounter with Robert Parkin Peters: plagiarist, bigamist, fraudulent priest and imposter extraordinaire.

The Professor and the Parson traces the strange career of one of Britain's most eccentric criminals. Motivated not by money but by a desire for prestige, Peters' lied, stole and cheated his way to academic positions and religious posts from Cambridge to New York, Singapore and South Africa. Frequently deported, and even more frequently discovered, his trail of destruction included seven marriages (three of which were bigamous), an investigation by the FBI and a disastrous appearance on Mastermind.

Based on Trevor-Roper's own detailed 'file on Peters', The Professor and the Parson is a witty and charming account of eccentricity, extraordinary narcissism and a life as wild and unlikely as any in fiction.

A revelatory collection of letters written by the author of The Broken Road. Handsome, spirited and erudite, Patrick Leigh Fermor was a war hero and one of the greatest travel writers of his generation. He was also a spectacularly gifted friend. The letters in this collection span almost seventy years, the first written ten days before Paddy's twenty-fifth birthday, the last when he was ninety-four. His correspondents include Deborah Devonshire, Ann Fleming, Nancy Mitford, Lawrence Durrell, Diana Cooper and his lifelong companion, Joan Rayner; he wrote his first letter to her in his cell at the monastery Saint Wandrille, the setting for his reflections on monastic life in A Time to Keep Silence. His letters exhibit many of his most engaging characteristics: his zest for life, his unending curiosity, his lyrical descriptive powers, his love of language, his exuberance and his tendency to get into scrapes - particularly when drinking and, quite separately, driving. Here are plenty of extraordinary stories: the hunt for Byron's slippers in one of the remotest regions of Greece; an ignominious dismissal from Somerset Maugham's Villa Mauresque; hiding behind a bush to dub Dirk Bogarde into Greek during the shooting of Ill Met by Moonlight, the film based on the story of General Kreipe's abduction; his extensive travels. Some letters contain glimpses of the great and the good, while others are included purely for the joy of the jokes.